Rethinking Active Shooter Response: A Smarter, Stronger Approach to Protecting Lives
As more tragic incidents unfold, many safety experts, educators, and military veterans are asking: Is “Run, Hide, Fight,” really the best we can do?
Citizen Writers Fighting Censorship by Helping Americans Understand Issues Affecting the Republic.
As more tragic incidents unfold, many safety experts, educators, and military veterans are asking: Is “Run, Hide, Fight,” really the best we can do?
The Passover lamb was more than just an act of obedience—it was a stand-in, a substitution for the people. A life was taken so that another life could be spared.
Dante’s Inferno is over 700 years old, yet its vision of Hell still shapes how we imagine the afterlife, sin, and justice.
It is no accident that history is filled with stories of slavery and redemption—it’s an archetype woven into the fabric of human experience.
Dante’s Inferno is not just an imaginative journey through Hell—it is a moral argument. The poem presents a world where every sin has a price, where wrongdoers receive punishments perfectly suited to their crimes.
Take a stroll through any American city, and you’ll find him: the modern urban male. Dressed in soft fabrics, sipping plant-based lattes, paralyzed by indecision, terrified of offending anyone, and spiritually neutered.
When people imagine Hell, they often picture fire, demons, and eternal torment—but much of this imagery doesn’t come from the Bible. Instead, it comes from Dante Alighieri’s, “Inferno.”
At their core, HOAs and restricted deeds are the Karen collective’s dream come true—a private mini-government with the power to tell you exactly how to live on property you supposedly own.
The modern obsession with happiness—comfort, entertainment, ease—is not only misguided, it’s harmful. It’s a form of “infantile hedonism”: a worldview more suitable for children than for adults who wish to live meaningful lives.
For decades, nuclear energy has been caught between promise and peril—offering a cleaner energy source but carrying the baggage of meltdowns, waste, and public fear.
In a world that prizes outrage, thrives on callouts, and worships moral high ground, one ancient virtue has quietly vanished from public life: forgiveness.
Across time and culture, human beings have told stories to explain life—stories about brave heroes, dying kings, magical cups, and mysterious journeys that lead to transformation.
Life is chaos. Not metaphorically. Not symbolically. At its core, existence is one long, tangled mess of disorder, uncertainty, and entropy. From the spinning galaxies to the storms on Earth to the mess in your kitchen—chaos is the natural state of things.
For centuries, one mysterious piece of cloth has captivated believers, skeptics, scientists, and historians alike: the Shroud of Turin.
Imagine you’re at a family barbecue, flipping burgers, when your conspiracy-loving uncle asks, “So, do you think quantum mechanics proves time travel is real?” This is your moment. You sip your drink, smirk knowingly, and say, “Well, that depends on whether you believe the universe plays dice or bends like a yoga instructor.”
War is hell, but post-war peacekeeping? Now that’s a business opportunity. As Ukraine inches toward an eventual ceasefire, one thing is crystal clear: the U.S. and NATO will be writing blank checks to maintain “stability” for years—maybe even decades.
Congressional inaction on the languishing No Tax On Tips Act, is not just bureaucratic inertia; it’s a direct financial hit to millions of hardworking Americans in the service industry.
For years, Americans who dared to question the official COVID-19 narrative were mocked, censored, and labeled conspiracy theorists.
As the war in Ukraine continues, speculation grows about what a post-war security landscape might look like, particularly if a ceasefire is reached. One of the most likely scenarios involves a NATO-led peacekeeping mission
Poets and propagandists have long clung to the ancient Latin phrase: “Dulce et decorum est pro patria mori”—“It is sweet and proper to die for one’s country.” But by the time the industrial slaughterhouses of World War I had chewed through millions of lives, that “old lie,” as poet Wilfred Owen called it, rang hollow.